Tissages du Temps

  • Saturday, 2 May 2026

    7:30 pm

  • Snow Concert Hall

    40 Monaro Cres, Red Hill, ACT 2603

  • In Association with

Weavings of Time – a journey through high French Baroque, Impressionism and Spectralism

Tissages du Temps traces more than three centuries of French musical innovation, showing how each generation transcended the language of the one before while remaining deeply connected to its legacy.

From the ornate architecture of the high Baroque to the colour-saturated sound world of impressionism and the radical harmonic and timbral innovations of Spectralism, this concert reveals French music not as a sequence of isolated eras, but as a vibrant continuum – threads of imagination woven seamlessly across time.

The program opens with music from France’s early masters, heard here through the vibrant sonorities of Lyrebird Brass, Australia’s trailblazing brass ensemble. Their performance highlights the ceremonial brilliance, rhythmic finesse and expressive detail that defined a French Baroque musical identity.

From this world of elegance and ornament, we move to the shimmering landscape of French impressionism with Maurice Ravel’s intoxicating Daphnis et Chloé, performed in a sumptuous two-piano realisation by Kristian Chong and Timothy Young. Together they conjure the work’s sensuous harmonies, expansive vistas and mythic lyricism, illuminating the colours and gestures that would inspire a seismic shift in French composition.

The second half plunges us into the heart of late 20th century France with Gérard Grisey’s monumental Vortex Temporum, performed by Geneva’s world-renowned Ensemble Contrechamps. One of Europe’s foremost new-music ensembles, Contrechamps has spent nearly five decades advancing France’s spectral tradition, collaborating with figures such as Pierre Boulez, Heinz Holliger, Michael Jarrell and Tristan Murail. Their authority in this repertoire is unmatched.

In Vortex Temporum, Grisey takes a tiny arpeggio from Daphnis et Chloé and expands it into a vast, evolving architecture. Microtonal waves unfold and contract; tempi stretch and fracture; and three layers of time – human, whale and bird – intertwine. The result is a mesmerising sonic vortex where sound becomes duration and listening becomes transformation.

Tissages du Temps invites audiences to hear French music as a tapestry: centuries of imagination, innovation and influence woven into a single, immersive experience.

‘French high art at its best’

 

Artists
Ensemble Contrechamps (Switzerland)
Lyrebird Brass
Kristian Chong piano
Timothy Young piano

Program
Marc-Antoine Charpentier Te Deum Prélude in D Major for brass quintet
François Couperin (arr. Bernard Hughes) Les Barricades Mystérieuses for brass quintet
Jean-Philippe Rameau (arr. Steven Verhlest) Dardanus Suite for brass quintet

Overture
Air Vie
Air Vivement

Maurice Ravel (arr. Gryzanov) Daphnis et Chloé Suite No.2 for two pianos
Gerard Grisey Vortex Temporum for mixed chamber ensemble

 

This concert is generously supported by Jeremy Newman.

 

Duration: 90 mins, including interval

Photo credit: Mads Sørensen

ARTIST Learn more about the artist

Artist Ensemble Contrechamps

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Ensemble Contrechamps is an ensemble of soloists specialized in creating, developing and disseminating instrumental music of the 20th and 21st centuries.

The Ensemble is dedicated to highlighting the diversity of aesthetics and formats making up the contemporary and experimental scene. For over 40 years the Ensemble Contrechamps has been working hand in hand with a large number of composers, conductors and artists – Rebecca Saunders, Pierre Boulez, Chiyoko Szlavnics, Christine Sun Kim, Michael Jarrell, Jacques Demierre, Olga Kokcharova, Sofia Jernberg, Vimbayi Kaziboni or Heinz Holliger, among others. The Ensemble also showcases the multiple skills and unique talents of its member musicians.

Contrechamps strives to develop fresh formats such as installation-performances, radiophonic concerts, research laboratories or collaborative processes. The Ensemble is a hybrid, both orchestra and collective, which enables it to adapt to a variety of artistic constraints and to the proposals of the artists it works with. Within this context, Contrechamp’s partnership with the Geneva Haute école de musique is meaningful inasmuch as it allows its members to remain in touch with the freshest ideas, as well as impart their expertise to coming generations.

Recognized for its work and invited to perform on international stages, Contrechamps regularly appears at events such as Ultima in Oslo, the Huddersfield Contemporary Music Festival, the Venice Biennale, and Ircam-Centre Pompidou in Paris.

The Ensemble’s many partners in Geneva include La Bâtie, Archipel, the Grand Théâtre, the Ensemble Vide, the OCG, the Théâtre Am Stram Gram, the ADC,the cave12 and the St. Pierre Cathedral. Contrechamps has performed on a variety of stages throughout Switzerland like the Gare du Nord in Basel, Schauspielhaus in Zurich or Plateforme 10 in Lausanne, to name just a handful.

A colorful outreach program and exciting educational activities involving schools and museums allow our musicians to impart their passion to a public of all ages and from all walks of life, and to enrich and fortify the local cultural fabric. Contrechamps Editions publish significant books on contemporary music.

The Ensemble has made over twenty recordings and, since last season, has been offering a new collection of vinyls on its own Contrechamps label in collaboration with Speckled-Toshe.

Ensemble Contrechamps is supported by

Photo credit: Guillaume Collignon

Artist Kristian Chong

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One of Australia’s leading musicians, YAMAHA artist and pianist Kristian Chong has performed extensively throughout Australia and the UK, and in China, France, New Zealand, Singapore, Hong Kong, Taiwan, USA, and Zimbabwe. He is in frequent demand as concerto soloist, solo recitalist and chamber musician.

As concerto soloist he has appeared with the Adelaide, Canberra, Melbourne, Queensland, Sydney and Tasmanian Symphony Orchestras, and orchestras in the UK, New Zealand and China with conductors such as Andrey Boreyko, Nicholas Braithwaite, Jessica Cottis, Roy Goodman, Sebastian Lang-Lessing, Nicholas Milton, Benjamin Northey, Tuomas Hannikainen, Marcus Stenz, Arvo Volmer and Marco Zuccarini. Highlights have included Rachmaninoff 3rd (Sydney Symphony), Rachmaninoff’s Paganini Rhapsody in Beijing and Canberra (Canberra Symphony), and Britten (Adelaide Symphony). Recent highlights include Shostakovich 2nd, Brahms 1st, Rachmaninoff 3rd, Beethoven’s 3rd and Emperor in Melbourne, Ravel’s Left-Hand concerto with both the Australian Youth Orchestra & Dunedin Symphony Orchestra, Saint-Saëns 2nd & Rachmaninoff’s Paganini Rhapsody with the Melbourne Symphony, and Malcolm Williamson’s 2nd with the Canberra Symphony.

Described by The Age as ‘a true chamber musician at work’, Kristian has collaborated extensively with musicians such as cellists Li-Wei Qin and Timo-Veikko Valve, violinists Vadim Gluzman, Rebecca Chan, Sophie Rowell, Dale Barltrop, Daniel Dodds, Jack Liebeck and Satu Vänskä, violist Christopher Moore, mezzo soprano Caitlin Hulcup, clarinettist Philip Arkinstall, baritone Teddy Tahu Rhodes, (with whom he has recorded with ABC Classics) flautist Megan Sterling and the Australian String Quartet amongst many others. His festival appearances include the Australian Festival of Chamber Music, Adelaide, Coriole, Huntington Estate, Mimir and Bangalow Festivals.

Other recent solo and chamber highlights include Oxford May Music Festival (UK) in May 2025 and the ‘Kristian Chong and Friends’ series at the Melbourne Recital Centre, in its thirteenth year in 2026.

Kristian studied at the Royal Academy of Music with Piers Lane & Christopher Elton, with Stephen McIntyre at the University of Melbourne and with Noreen Stokes and Stefan Ammer at the Elder Conservatorium. He is on piano and chamber music faculty at the Melbourne Conservatorium of Music.

Photo: John Tsiavis

Artist Lyrebird Brass

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Comprising some of Australia’s top brass musicians, Lyrebird Brass is a collective of artists dedicated to performing the finest brass chamber music. The group’s mission is twofold: to engage Australian audiences through exceptional artistry and accessible programming, and to expand repertoire through new commissions with a particular emphasis on Australian music and works by composers from underrepresented demographics. Members have performed across the globe in many of the world’s premiere ensembles, each bringing a unique musical background to the troupe. Lyrebird Brass is the first professional Australian brass ensemble to feature women as core members.

The name ‘Lyrebird Brass’ is a homage to a unique songbird native to the ensemble’s hometown of Melbourne. Lyrebirds are known for singing for hours each day in a combination of their own distinctive song and mimicked noises and can even vocalise multiple melodies simultaneously. The name is also a reference to Éditions de l’Oiseau-Lyre (Lyrebird Press), part of Louise Hanson-Dyer’s legacy which has so benefited the Melbourne Conservatorium of Music where each member teaches.

Artists: Carla Blackwood (horn), Joel Brennan (trumpet), Rosie Turner (trumpet), Don Immel (trombone), Alex Jeantou (tuba).

Photo credit: Mads Sørensen